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söndag 15 maj 2016

In praise of shadows

Mouthon Charles-Francois - Academie Beaux arts 1892
I recently read In praise of shadows by Jun'ichirō Tanizaki, I remember reading it a long time ago when I started architecture school and Tanizaki's way of suddenly changing one subject to another,
in praise of old Japanese culture, architecture and practice.
The beauty of this little novel really is food for the soul,
He moves from moonlit toilets at the Kyoto temple to dark lacquerware glimmering like jewels in the dark to women with blackened teeth in the pleasure houses, where only their very white skin, sheer as a ghost's transcends out of the darkness.
The Japanese really understand the beauty of time, of ageing and of the sublime in the shadows.

This is Tanizaki's thoughts on toilets:

"Every time I am shown to an old, dimly lit, and, I would add, impeccably clean toilet in a Nara or Kyoto temple, I am impressed with the singular virtues of Japanese architecture. The parlor may have its carms, but the Japanese toilet truly is a place of spiritual repose. It always stands apart from the main building, at the end of a corridor, in a grove fragrant with leaves and moss. No words can describe that sensation as one sits in the dim light, basking in the faint glow reflected from the shoji, lost in meditation or gazing out at the garden. The novelist Natsume Sōseki counted his morning trips to the toilet a great pleasure, 'a physiological delight' he called it. And surely there could be no better place to savor this pleasure than a Japanese toilet where, surrounded by tranquil walls and finely grained wood, one looks out upon blue skies and green leaves.
As I have said there are certain prerequisites: a degree of dimness, absolute cleanliness, and quiet so complete one can hear the hum of a mosquito. I love to listen from such a toilet to the sound of softly falling rain, especially if it is a toilet of the Kantō region, with its long, narrow windows at floor level; there one can listen with such a sense of intimacy to the raindrops falling from the eaves and the trees, seeping into the earth as they wash over the base of a stone lantern and freshen the moss about the stepping stones. And the toilet is the perfect place to listen to the chirping of insects or the song of the birds, to view the moon, or to enjoy one of those pognant moments that mark the change of the seasons. Here, I suspect, is where haiku poets over the ages have come by a great many of their ideas. Indeed one could with some justice claim that of all the elements of Japanese architecture, the toilet is the most aestetic. Our forbears, making poetry of everything in their lives, transformed what by rights should be the most unsanitary room in the house into a place of unsurpassed elegance, replete with fond associations with the beauty of nature..."

söndag 29 november 2015

Noémie Goudal 'Observatoires' 2015

I can't get these mesmerizing images by french artist Noémie Goudal out of my head.
Surreal, barren landscapes where abandoned architecture meets nature in a dreamy, theatrical setting...
(Inspired by Jantar Mantar, built in Jaipur, India, in the 18th Century)









fredag 4 september 2015

Esparon, the house on a mountain

I just got back from helping architect friends to build their house in South of France. One hour from Nîmes, the town with the beautiful light there is a small village on top of a mountain. They bought an old ruin, and preserving the old walls and the layout, they are now building on to it.

There was a full moon, and you could see the moonlit valley and the unfinished roof.
So quiet, you could hear the owl sounds and see the mountains 280 degrees around you.
Everything about this place is just magical.

söndag 19 april 2015

Accidentely on purpose / comme par hasard by Kate McBride

Not long ago one of our friends had an exhibition at La Chambre Claire in Paris, her name is Kate McBride and she is based in Florence. She has since the early 1980's taken polaroids and written short poetic narratives as a travel journal. The polaroid being an instant medium, it catches exactly that moment and feeling of the place and the landscape.

It became a collection book with over 200 polaroids and eighty-four poems, called 'I journey with you here'. I just love polaroids, and I love the milky dreaminess of this journal, it makes you want to travel, travel, travel...






tisdag 14 april 2015

We were there - Porto

Three years ago we visited Leça Swimming Pools by Alvaro Siza, north of Porto, Portugal.
Porto is a fantastic place to go for architectural visits (go if you haven't been!)
The pools were finished in 1966, but they have aged gracefully and do not feel decayed, despite the Atlantic oceans tough treatment.
The area is completely sunken down, out of view of the cityscape on the side and disconnected from the city, melting into the ocean as apart of it.
You are lead as in procession through the changing rooms, via a ramp down towards the ocean.
The pools are molded into the the cliffs with concrete of the same color as the stone, mixed with the natural water gatherings of the ocean side, it is sensational place.
I would love to revisit in the summer, it was early spring when we were there.




Photo credits: Camilla Levin




















Photo credits: Camilla Levin


Photo credits: Camilla Levin

onsdag 18 mars 2015

You framed it so now I can see it

Krijn de Koning is exhibiting in Paris right now at Centquatre until the beginning of april.
When I woke up this morning I was looking at images of his Het groene huis from 2014 and it completely captivated me.
The effect that colors has on me (you as well?) is amazing and the way that he works with the environment around, the light and the perspectives framing it altogether is dreamlike to me.

He often works with rich environments like nature and ruins and in these photos,
it's just like scenography or footage.

Photo credit: http://www.krijndekoning.nl/

Photo credit: http://www.krijndekoning.nl/


Photo credit: http://www.krijndekoning.nl/

Photo credit: http://www.krijndekoning.nl/

Photo credit: http://www.krijndekoning.nl/

Photo credit: http://www.krijndekoning.nl/

Photo credit: http://www.krijndekoning.nl/



tisdag 17 februari 2015

American Bar by Adolf Loos

I went to Vienna last year and got a chance to re-visit Adolf Loos American Bar.
The first time I was there was in 2006 when I just started studying architecture.
This time I traveled alone and I decided to go back in the middle of the day.

This place definitely deserves a blog post of it's own, Loos created something so unique in my opinion.
When you come in, it's like entering into another world, where you feel jet lagged or something reminiscent of it, time stands still.
It always has the same light and atmosphere that lingers, no matter what time of day. The noble marble and the glass above the door gives of this jewel-like glow, like jasper stone or amber carnelian. The space is in fact small, but the use of mirrors creates an illusion that it goes on for ever.
I can just imagine cigar smoke and early 20th century cocktails, but as time stands still it works just as well now.

Dignity, but not of an intimidating kind, more like you just want to be there, stay around in a very comforting way and pass your time there. I just love it, the warm wood, down to the leather, illuminated tables and brass handles.